This is a focused brief, not the full vision. It covers the Water element of the land and the homes beside it: the Retreat Center on the ridge, the Sacred Spring in the valley below, and the Longevity Villas, starting with one three bedroom show home.
These three are the first build at Tampah Reserve. We are inviting a small number of architects to look at the same scope, and we will choose who leads it after meeting, walking the land and comparing approaches. This is an invitation, not an assignment already made.
The page gives you the premise and feeling of each place, the program, the materials and sensory direction, and what is still open for your design.
A boutique retreat on the ridge: tea temple, lobby facing the ocean, cafe under a signature tree, fire, yoga shala, and six two bedroom dwellings stepping down toward the sea.
A spring descending a forest valley through stone pools: ceremony, bathing, silence. Grown from the earth, not built on it.
A three bedroom show home: an earth, timber and thatch villa with a few quiet wellness systems. Designed once, then repeated as two and one bedroom villas.
The emotional heart of the whole land. One element, held in two movements: the retreat center on the ridge, and the spring in the valley below it.
The Water zone is two places that belong to each other. Below, a spring descends the forest valley through stone pools, a place for ceremony, bathing and silence. Directly above it, a boutique retreat center runs along the ridge, with the spring on one side and the ocean on the other. Guests sleep and gather on the ridge, and walk down to the water.
Below · the springstone pools stepping down the valley
Above · the retreat centeralong the ridge
Down the hill · 6 dwellings · 12 bedroomsin the trees, toward the sea
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Small enough to feel held, complete enough to run a full retreat. Up to 24 guests, one group, one arc. The retreat center runs along the ridge from south to north: you arrive at a tea temple, step into a lobby that opens to the ocean, gather at a cafe under a great signature tree, climb to the fire, and at the crown of the hill, practice in the yoga shala.
On the far side of the ridge from the spring, the retreat's own dwellings step down the hill toward the sea: six two bedroom villas in the trees, twelve private bedrooms in all. They belong to the retreat. The Longevity Villas across the road are a separate place with their own guests.

Arrival begins in slowness. A small, precise tea temple at the southern tip of the ridge: shoes off, tea poured, the journey set down. Seating for six to ten, one tea station as the anchor, light diffused, the natural world as companion to the ritual. An architecture of pause, Lombok's own.
Step up into an open lobby with a beautiful ocean view. No front desk energy: a long timber table, a cool drink from the garden, the bay spread out below. Guests can check in here, or be walked straight to their dwelling.
One great tree holds the social heart of the retreat. Breakfast, tea, long conversations in the shade, food from the valley floor and the food forest. The tree is the landmark everyone gives directions by.
As you walk up from the lobby, the fire lounge. A sunken stone circle where the day closes: stories, silence, sharing circles, the stars coming out over the sea.
At the crown of the ridge, an incredible yoga shala for 20 to 30. It can open fully to the air for teachers who want breeze and horizon, or close completely for held, contained work, which Rachel's own retreats need. Sunrise practice, ceremony, workshops, sound.
On the side of the ridge opposite the spring, six two bedroom dwellings step down the slope among the trees, toward the sea. Each one has two bedrooms, two bathrooms and a private deck with a bathtub in the open air. The units sit well apart in the forest, and each pair shares a small courtyard to gather in, so guests have privacy and a place to be together.
Every bedroom is private, with its own bathroom. The bed is a single extra-large bed that splits into two. One retreat guest can take a premium room alone, a couple can share it, or two guests can each take one of the beds. Twelve bedrooms, up to 24 guests.
Minimal but beautiful: stone floors, lime plaster, timber and woven screens, an open-air bath where the slope allows, a deck in the trees, passive cooling first. A single ritual object in each: a small altar, a ceramic vessel, a carved stone.

Held, multi-day retreats rather than nightly hotel stays: one group, one facilitator team, one arc, three to seven nights. These formats have already signalled interest through the first gathering on the land and the circles around it.
The men from the first fire returning, with new men joining. Fire, full moon, vision work, the spring at dawn.
Sacred feminine, water work, wild listening. Held by facilitators from Rachel's trusted circle.
Multi-generational. Earth practices, the food forest, fire stories with Sasak elders. The two bedroom dwellings suit families well.
Teacher-led immersions in the shala, open to the elements or held in containment.
Reconnection and feminine leadership retreats, held by vetted facilitators in the co-created network.
The consciousness work at the heart of the project, in a space built to hold it.
Orientation, threshold and axis drawn from Sasak cosmology. East for sunrise practice.
Buildings follow the ridge. Minimal cut and fill. Structures settle rather than impose. No mature tree removed without cause.
Local stone, bamboo, reclaimed timber, lime plaster, alang-alang thatch. Every surface ages with grace.
Arrival is designed: from the road to the tea temple, from path to shala, from the world into stillness.
The spring below anchors the whole zone. Water moves through the site as poetry and as utility.
Deep shade in the heat of day, filtered gold at sunrise and dusk. Night light low and downward, never upward.
A spring rising in one of the forest valleys, with natural stone dams creating a pool at every elevation. Beside each pool, a place to meditate, to float, to rest in a hammock, to picnic among fruit trees. A silent walking trail runs alongside. Blue lotus blooms at the base. Herbs grow along the banks.
Inspired by the holy springs of the islands and melukat purification, by the Chalice Well at Glastonbury and the well maidens of Avalon, by ferns and moss and dripping limestone. Not a spa. Not a wellness facility. A place where grief softens, life force returns, and water remembers what modern life has made people forget.

1234567891011The path on the right is the silent walking trail
Indicative · the land decides
Volcanic stone and limestone. Moss walls and flowing water channels. Dark reflective pools. Aged timber, bronze, carved stone. Bamboo gates. Candlelight after dark.
Sound muted to birdsong and water. Light dappled through canopy. Full visual separation from villas and paths. Arrival walked, never driven. Scale human, never grand.
Grounded, elemental, timeless. Not polished spa aesthetics: sacred earth architecture, hanging vines, ferns, lotus pools, hidden alcoves.
A guided sequence through warm spring pools, cool plunge channels, silence chambers and floating pools. The nervous system slows on entry.
A contemplative spring inspired by Avalon and feminine healing traditions. Quiet, still, reflective. The blue lotus pond is its embodied form.
A monthly night immersion under the stars, with candles and sound. Mist rising from the pools. The valley becomes a temple after dark.
Gentle ceremonial work around release, remembrance and new beginnings. A held space for those carrying loss.
No speaking in the spring zone until a certain hour. The whole valley becomes meditative, and guests slow their voices without being asked.
Every guest crosses a water blessing on arrival, the doorway to everything that follows.
Melukat and the Celtic well blessing, woven.
The silent path to the spring. Guided breath, slowing.
Deep release work: grief, surrender, prayer.
Held in the pool, then integration in the tea pavilion. They leave with a vial of blessed spring water.
Lineages woven: Sasak and Balinese water traditions, the Celtic well maidens of Avalon, modern water somatics. Facilitators: a water priestess, a sound healer, and a local practitioner as anchor.
Lombok homes of earth, timber and thatch that quietly do the daily work of living well, for longer. Light that keeps the sun's time. Bedrooms built for deep sleep. Clean water, clean air, honest materials. Heat, cold, a garden, a spring. And a stay shaped around the person in it.
Short stays, long stays, and premium rooms for retreat guests.
No white rooms, no machines on show, no medical feeling. Nothing here diagnoses or treats. The science is in the walls, not in your face.
The technology is hidden in the walls and has a manual off. The house works with the power out.
Low to the ground, deep in shade, built by Sasak hands from the stone, timber and thatch around it.
What it is instead: a house of the island that also happens to be one of the healthiest places a person can sleep. The walls breathe. The linen is real linen. Daylight is bright and the nights are truly dark. The water is clean at every tap, with nothing plastic between the source and your glass. The bath is hot and the plunge is cold.
Most of what extends a healthy life is not exotic. It is sleep, light, movement, heat and cold, clean food, clean water, calm and people you love. The best longevity tool is the place you wake up in. So we built the place first.
The building is only half of it. The other half is care. We learn a little about each guest, and the stay is shaped around what their body is asking for: the menu, the bath, the hour the lights go down. People leave sleeping better than when they arrived, and knowing why.





The first villa is a three bedroom show home. Watch the house run through a full day, or hold one hour with the buttons: bright and open in the morning, deep cool shade at midday, low amber light at dusk, then dark, quiet and cool for sleep. Most of it works with no power at all. The machines are there for the days the weather asks for help.
Seven systems, each one doing a small thing every day. Small things, every day, are what add up to years.
The house does the daily work on its own. For guests who like to go further, each villa keeps a small Longevity Kit out of sight, set up on request and put away when you are done. Nothing is mounted on the walls. Nothing beeps.
In the bathhouse, for skin and post-workout recovery. Set to published, tested output.
A ring or band for the stay, if you want to see your sleep. Read it with us once, then ignore it.
A two-week continuous monitor to see how the garden menu suits you.
For grey mornings and jet lag on the first days.
Mat, blocks, a breath trainer, a percussion massager, compression boots.
Eye mask, amber reading light, a simple sleep card.
We do not put hyperbaric chambers, cryo or IV stations in a home. The deeper modalities live at the Spring Zone spa, a short walk away, run by trained practitioners.
The honest lineLongevity is full of big promises. Ours are small and true. Everything in these villas sits on one of three steps, and we tell you which.
Where the science is strong, we build it into the house.
Where it is promising, we offer it and explain it.
Where it is still emerging, we offer it as tradition and as choice, and we say so.
Nothing in these villas diagnoses, treats or promises a cure.
Twenty-four hours of lightGet the light right and most of sleep follows.
Three bedrooms, but not one big box. Separate pavilions joined by covered walkways, the way Lombok has always built: each room gets air on all sides, garden at every window, and quiet from the others. Designed once, it becomes the pattern for the two and one bedroom villas. Each villa sits a short walk from the spring, the spa and the retreat center, so the wider land becomes part of the house.
ABCDDEFGHIIndicative · not to scale
The architect and the land decide the final form
Chosen for what they do not release into the room as much as for how they look.
Breathes, regulates humidity, resists mould. Walls you can lean on.
Natural pigments, no solvents. The room smells of nothing.
Cool underfoot, thermal mass for cooler nights. From Rinjani's island.
Oiled, never varnished. Structure, floors, screens.
Lombok's own roof: cool, quiet in rain, renewable.
Screens, ceilings, furniture. Fast-growing, locally crafted.
Bedding, robes, curtains. Natural fibres against the skin.
Mattresses and cushions with no synthetic foam.
Floors and tiles fired nearby. Warm, porous, repairable.
Taps, bowls and fittings that age to a patina.
Personal health data and personal protocols are among the biggest movements in wellness today, but most of it lives on a screen. Here it stays gentle, natural and optional: a short conversation, an optional simple test, and a house and a kitchen that respond. Developed with specialist longevity advisers who work with leading clinics in London and Los Angeles.
Sleep, energy, food, movement, what you want from the stay. Always optional.
And an optional finger-prick test read with modern tools by a qualified practitioner, only if you want it.
A menu from the garden built around you, mineral soaks drawn for you, a daily rhythm of light, heat, cold, movement and rest.
Light scenes, bedroom temperature, wake time and the bathhouse set to your day. You can change anything with one switch.
A one-page plan you can keep at home, and your results. Your data belongs to you: never sold, deleted on request.
Every stay includes the house, the bathhouse, the garden menu and a host. The longer you stay, the deeper the care goes.
Sleep, heat, cold and garden food. Arrive tired, leave clear. A conversation on day one; the test optional.
The full care journey: intake, optional test, a personal rhythm for the week, spa sessions at the Spring Zone, and a plan to take home.
Live inside the rhythm long enough for it to become yours. Weekly check-ins, a re-test option at the end, room to work lightly from the villa.
Lombok as your home base. The house, the garden and the land, with care as and when you want it.
A private, premium room or a whole villa for guests of retreats at the Retreat Center next door, a short walk from the shala. Come early or stay on after.
Book the show home for a family, a couple and friends, or a small private group.
Rates on request. Registered guests hear first when the show home opens.
The settingThe villas sit in the Water sanctuary of Tampah Reserve, the west side of the land. Below them is the Spring: cool water rising from the ground, a bathhouse and a spa where the deeper therapies live. Above them, on the ridge, is the Boutique Retreat Center, its tea temple, cafe and yoga shala. Behind it all is a wilderness of 150 hectares running back toward Rinjani.
So the villa is the home, and the land is the rest of the house: morning light on the ridge, a swim at the spring, a session at the spa, a walk to the shala, a garden lunch, a sauna at dusk, a dark, quiet bed.

Eight villas, fifteen bedrooms, up to 30 guests. A first concept for the mix, not a final count; the architect will test it on the land. The show home is built first, with the spring and the retreat center.
One three bedroom villa with bathhouse, pool and gardens. Built first, and the reference for every villa after it.
Five two bedroom villas with living and pool, drawn from the same pattern.
Two one bedroom villas with living and pool. Same systems, smaller footprint.
No. Nothing here diagnoses or treats. It is a home designed for deep sleep, clean air and water, and daily healthy habits. If you have a medical condition, you are welcome, and we ask you to bring your doctor's guidance.
No. Everything beyond the house itself is optional. Many guests simply sleep, eat and swim.
A home built around the habits most linked to a longer, healthier life: sleep, light, movement, heat and cold, clean water and air, good food and calm. The villa makes those habits the easy default.
Yes. The villas are a short walk from the Retreat Center and offer private, premium rooms for retreat guests, before, during or after a programme.
The house is designed to stay cool through shade, breeze and stone first. Bedrooms have quiet cooling for the nights that need it.
You do. It is never sold and is deleted on request.
These turn the copy into specifications, so every line on the guest page is true of the building. Targets to test and refine with us, not fixed requirements.
| Evening light | All bedroom and living lamps dimmable to warm amber, about 1,800 to 2,200 K; no fitting above 2,700 K after dusk; no overhead light in bedrooms after dark |
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| Darkness | Bedrooms reach full blackout with screens closed; no LEDs or standby lights in bedrooms |
| Bedroom climate | Passive first; quiet, low-noise cooling sized for bedrooms only; humidity held roughly 40 to 60 percent |
| Fresh air | Bedroom CO2 sensor; aim to keep night-time CO2 under about 1,000 ppm |
| Drinking water | Membrane filtration (reverse osmosis or ultrafiltration), remineralised; glass or stainless storage and taps; no plastic in the drinking chain where avoidable |
| Shower | Point-of-use shower filters |
| Materials | Single approved materials list: lime, clay and mineral paints, natural oils and waxes, natural fibres, no formaldehyde boards, no vinyl, no synthetic foam |
| Noise | Pumps, plant and kitchen extraction housed away from bedrooms |
| Bathhouse | Sauna (wood-fired, or electric hidden behind solar) plus cold plunge per villa; mineral soak bath |
| Power | Bedroom night switch cutting non-essential circuits |
| Testing | Water and indoor air tested at handover and yearly |
Shade, orientation, cross-breeze and thermal mass do the work before any machine does.
Sensors and controls are small, out of sight and optional. The house still works with the power out.
One written list of approved finishes, glues and textiles for every villa, so the standard holds as the villas multiply.
Test water and indoor air at handover and every year. Publish the results to owners.
Sasak craftspeople, local stone and timber, thatch from the island. Built to be repaired, not replaced.
The show home is the prototype. The two and one bedroom villas follow its systems and details.
The page above gives you the premise, the feeling and the program. It does not give you everything an architect needs to start drawing. Here is what is still open.
The 14 October layout and the ridge sequence (tea temple to shala) are working ideas. Where each piece sits, and how they read from the spring and the sea, is open.
Two separate sets of rooms. The Retreat Center has its own dwellings: six two bedroom villas in the trees below the ridge, twelve private bedrooms with beds that split, for up to 24 guests. The Longevity Villas across the road are a first concept of eight villas and fifteen bedrooms for up to 30 guests: one three bedroom show home, five two bedroom villas and two one bedroom villas. Neither count is final. We would value your view on both mixes and how they sit on the land.
The spring does not run all year. How the pools hold water through the dry season, with a hydrologist, is open.
Three bedrooms, a bathhouse with sauna and cold plunge, pool and gardens. Its size, plot and form are open, and it becomes the pattern for the smaller villas.
Rain, spring water, solar, greywater, access and back of house for all three pieces. The servicing approach is open.
We would value your view of how this first build breaks into phases, with an indicative design fee and a rough build cost for each phase, so we can plan funding with confidence.
What we would love from you now: your first response to this brief, a conversation, and a walk of the land itself, the ridge, the spring valley and the villa ground across the road.